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Public Culture

An interdisciplinary journal of transnational cultural studies

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Volume 7, Number 1:

Issue 15, Fall 1994

Editor's Note
Carol A. Breckenridge
Editorial Comment: On Thinking the Black Public Sphere
Arjun Appadurai, Carol A. Breckenridge, Lauren Berlant, and Manthia Diawara
Critical Memory and the Black Public Sphere
Houston A. Baker, Jr.
Malcolm X and the Black Public Sphere: Conversionists Versus Culturalists
Manthia Diawara
“After the Love Has Gone”: Bio-Politics and Etho-Poetics in the Black Public Sphere
Paul Gilroy
“Can you be BLACK and Look at This?”: Reading the Rodney King Video(s)
Elizabeth Alexander
Photo Essay: Refuge Refused: Haitians, Borders and Democracy
Photo Essay: Hope Reclaimed: South African Elections May 1994
Negotiating and Transforming the Public Sphere: African American Political Life in the Transition from Slavery to Freedom
Elsa Barkley Brown
Race, Identity and Political Activism: The Shifting Contours of the African American Public Sphere
Steven Gregory
Black Cinderella?: Race and the Public Sphere in Brazil
Michael Hanchard
Photo Essay: Black Global Public Spheres
A Black Counterpublic?: Economic Earthquakes, Racial Agenda(s), and Black Politics
Michael C. Dawson
“A Nation of Thieves”: Consumption, Commerce, and the Black Public Sphere
Regina Austin
X Marks the Spot: The Ambiguities of African Trading in the Commerce of the Black Public Sphere
Paul Stoller and Rosemary J. Coombe
Culture Versus Commerce: The Marketing of Black Popular Music
Reebee Garofalo
Check Yo Self, Before You Wreck Yo Self: Variations on a Political Theme in Rap Music and Popular Culture
Todd Boyd
University Presses and the Black Reader
Elizabeth Maguire

Cover

Volume 7, Number 1 Cover

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About the Journal

Public Culture is a reviewed interdisciplinary journal of cultural studies, published three times a year in Fall, Winter, and Spring for the Institute for Public Knowledge by Duke University Press. The journal's full archives are available online at Dukejournals.org.

© Copyright 2006–2009 Public Culture and Duke University Press. All Rights Reserved.

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